All BRUEGHEL, Pieter the Younger Oil Paintings

Flemish painter (b. 1564, Bruxelles, d. 1638, Antwerp). Pieter Brueghel the Younger was the oldest son of the famous sixteenth-century Netherlandish painter Pieter Brueghel the Elder (known as "Peasant Brueghel") and Mayken Coecke van Aelst. His father died in 1569, when Pieter the younger was only five years old. Then, following the death of his mother in 1578, Pieter, along with his brother Jan Brueghel the Elder ("Velvet Brueghel") and sister Marie, went to live with their grandmother Mayken Verhulst (widow of Pieter Coecke van Aelst). She was an artist in her own right, and according to Carel van Mander, possibly the first teacher of the two sons. The family moved to Antwerp sometime after 1578 and Pieter possibly entered the studio of the landscape painter Gillis van Coninxloo (1544-1607). In the 1584/1585 registers of Guild of Saint Luke, "Peeter Brugel" is listed as an independent master. On November 5, 1588 he married Elisabeth Goddelet, and the couple had seven children. He painted landscapes, religious subjects and fantasy paintings. For this last category he often made use of fire and grotesque figures, leading to his nickname "Hell Brueghel". Apart from these paintings of his own invention, Pieter Brueghel the Younger also copied the works his father had created by using a technique called pouncing. His genre paintings of peasants lack Pieter the Elder's subtlety and humanism, and emphasize the picturesque.
 

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BRUEGHEL, Pieter the Younger The Tower of Babel oil on canvas


The Tower of Babel
The Tower of Babel
Painting ID::  33542
  mk86 1563 Oil on wood 114x154cm Vienna,Kunsthistorisches Museum
  mk86 1563 Oil on wood 114x154cm Vienna,Kunsthistorisches Museum

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BRUEGHEL, Pieter the Younger The Land of Cockaigne oil on canvas


The Land of Cockaigne
The Land of Cockaigne
Painting ID::  33543
  mk86 1567 Oil on wood 52x78cm Munich,Bayerische Staatsgemaldesammlungen, Alte Pinakothek
  mk86 1567 Oil on wood 52x78cm Munich,Bayerische Staatsgemaldesammlungen, Alte Pinakothek

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BRUEGHEL, Pieter the Younger The Corn Harvest oil on canvas


The Corn Harvest
The Corn Harvest
Painting ID::  33544
  mk86 1565 Oil on wood 118x161cm New York,The Metropolitan Museum of Art
  mk86 1565 Oil on wood 118x161cm New York,The Metropolitan Museum of Art

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BRUEGHEL, Pieter the Younger The Hunters in the Snow oil on canvas


The Hunters in the Snow
The Hunters in the Snow
Painting ID::  33545
  mk86 1565 Oil on wood 117x162cm Vienna,Kunsthistorisches Museum
  mk86 1565 Oil on wood 117x162cm Vienna,Kunsthistorisches Museum

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BRUEGHEL, Pieter the Younger Netherlandish Proverbs oil on canvas


Netherlandish Proverbs
Netherlandish Proverbs
Painting ID::  40371
  mk156 1559 Oil on oak panel 117x163cm
  mk156 1559 Oil on oak panel 117x163cm

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     BRUEGHEL, Pieter the Younger
     Flemish painter (b. 1564, Bruxelles, d. 1638, Antwerp). Pieter Brueghel the Younger was the oldest son of the famous sixteenth-century Netherlandish painter Pieter Brueghel the Elder (known as "Peasant Brueghel") and Mayken Coecke van Aelst. His father died in 1569, when Pieter the younger was only five years old. Then, following the death of his mother in 1578, Pieter, along with his brother Jan Brueghel the Elder ("Velvet Brueghel") and sister Marie, went to live with their grandmother Mayken Verhulst (widow of Pieter Coecke van Aelst). She was an artist in her own right, and according to Carel van Mander, possibly the first teacher of the two sons. The family moved to Antwerp sometime after 1578 and Pieter possibly entered the studio of the landscape painter Gillis van Coninxloo (1544-1607). In the 1584/1585 registers of Guild of Saint Luke, "Peeter Brugel" is listed as an independent master. On November 5, 1588 he married Elisabeth Goddelet, and the couple had seven children. He painted landscapes, religious subjects and fantasy paintings. For this last category he often made use of fire and grotesque figures, leading to his nickname "Hell Brueghel". Apart from these paintings of his own invention, Pieter Brueghel the Younger also copied the works his father had created by using a technique called pouncing. His genre paintings of peasants lack Pieter the Elder's subtlety and humanism, and emphasize the picturesque.

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